Nearly 150 artefacts displayed at special exhibition marking reunification anniversary
The event aims to help the public, especially the young, gain a better understanding of the aspiration for peace and national reunification, as well as the close-knit bond and inseparability between the North and the South.
Visitors at the special exhibition entitled "Non Song Lien Mot Dai". (Photo: VNA)
Hanoi (VNA) – A special exhibition entitled "Non Song Lien Mot Dai" (Unified Vietnam) opened at the Vietnam National Museum of History in Hanoi on April 22 to mark the 50th anniversary of the Liberation of the South and National Reunification (April 30, 1975–2025).
Speaking at the opening ceremony, the museum's director Nguyen Van Doan said the event honours the historic victory of the 1975 Spring General Offensive and Uprising, whose peak was the Ho Chi Minh Campaign, on April 30 half a century ago. This marked the end of the 21-year resistance war full of hardships, sacrifices but also heroism against the US, and the fight became an immortal epic of the Vietnamese people in the 20th century.
The event aims to help the public, especially the young, gain a better understanding of the aspiration for peace and national reunification, as well as the close-knit bond and inseparability between the North and the South, thereby inspiring Vietnamese people's patriotism and sense of responsibility towards the safeguarding of national independence, sovereignty, and territorial integrity as well as the realisation of development goals in the new era, he added.
The exhibition features nearly 150 documents and artefacts and is divided into three sections.
The first section, “Aspiration for Unity”, showcases materials related to the Geneva Accords, early efforts in socialism building in the North, and the southern and northern people's struggle for peace and reunification.
Entitled “One Vietnam – One Nation” , the second section highlights President Ho Chi Minh and the Party's clear-sighted leadership in the defeat of the US invaders, the North’s support for the southern front, and global people's solidarity with Vietnam’s resistance war.
The last, “Unified Vietnam”, displays images and items depicting the victory of the 1975 Spring General Offensive and Uprising to completely liberate the South, and the great joy of national reunification.
The exhibition is open to the public until the end ✃of ﷽August 2025 at 25 Tong Dan street, Hoan Kiem district, Hanoi./.
Nearly 300 photos, documents, and artifacts are on display, divided into three thematic sections: “From the Geneva Conference to the Paris Peace Accords,” “The Great Spring Victory of 1975,” and “The Echo of the Great Spring Victory.”
The product, available at //www.ufabetindo777.site/50namgiaiphongmiennam/, offers a fresh, innovative format featuring a 3D interactive game centred around the indomitable symbol of the April 30 Victory – the tank of the Liberation Army breaking down the gates of the Independence Palace.
National unity and pride, sound leadership, and patriotism will continue to propel Vietnam forward into a new era - the era of national rise, said former Cuban Ambassador to Vietnam and Vice President of the Cuba–Vietnam Friendship Association Fredesmán Turró González.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
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The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
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The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
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This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
