Hanoi Creative Design Festival draws 300,000 visitors
The Hanoi 2024 Creative Design Festival has marked a milestone in the city's cultural landscape, drawing an unprecedented 300,000 visitors during its nine-day run from November 9-17.
At the Hanoi 2024 Creative Design Festival (Photo: VNA)
Hanoi (VNA) - The Hanoi 2024 Creative Design Festival has marked a milestone in the city's cultural landscape, drawing an unprecedented 300,000 visitors during its nine-day run from November 9-17.
The festival, themed "Creative Crossroads", saw a five-fold increase in attendance compared to last year event. It brought together more than 500 creative professionals, including designers, architects, artisans, and notably many young artists, across various design disciplines.
Hanoi's iconic historical landmarks served as venues for over 100 creative activities spanning 12 cultural industry sectors, including architecture, design, fine arts, performance, cinema, advertising, crafts, and publishing.
Several architectural landmarks opened their doors to the public for the first time, including the University of Science under the Vietnam National University, Hanoi (former University of Hanoi) and the Government Guesthouse (former Tonkin Palace). Visitors queued to experience the heritage sites, which were transformed into vibrant creative spaces.
According to Director of the municipal Depar🎃tment of Culture and Sports Do Dinh Hong, the festival's success extends beyond the record attendance numbers. Local residents became active creators, engaging in and contributing to the creative offerings./.
The craft village and creative design festival 2024 opened in Hanoi's Thuong Tin district on October 11, alongside an exhibition featuring the district's One Commune-One Product (OCOP) products and handicrafts.
In a bold move to capitalise on its burgeoning creative design scene, the Hanoi People's Committee has unveiled a plan to host a series of captivating events as part of its participation in the UNESCO Creative Cities Network for 2024-2025.
Vietnam has been praised internationally for its cultural resources and tourism development, but much still needs to be done to transform cultural resources into tourism value and cultural tourism into a cultural industry.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
