Ancestor worship is an ancient Vietnamese tradition.(Photo: VNA)
Hanoi (VNA) – Ancestor worship, an ancient Vietnamese tradition, is a ritualpractice paying tribute to deceased family members and reminding people of theirroots.
Thepractice reflects the influence of patriarchy and Confucianism on Vietnameseculture.
Since Confucianism was introduced to Vietnam during the Chinese domination, filialpiety, the most fundamental of Confucian values,has been very much appreciated in Vietnamese families.
Accordingly, children are obliged to respect their parents inlife and to remember them after they die. The practice of ancestor worship isthus an expression of “filial piety” toward deceased parents, relatives andancestors.
MostVietnamese families have an ancestral altar placed in a prominent place of thehouse.
The ancestral altar is set with ancestral tablets and pictures, together with anincense burner bowl in the centre as a symbol of the stars. Inside the bowlusually stands a circular incense stick that represents the universe. Twocandles are placed on the sides of the altar to embody the sun (left) and themoon (right).
Onspecial occasions like ancestors’ death anniversaries or the Lunar New Year,special rites are performed to communicate with the dead. The rites consist ofmaking offerings of fruits, foods and wine; lighting the candles; and burningincense before praying in front of the altar.
Tet,or Lunar New Year, is the most important festival of the year for Vietnamesepeople and a time for family reunions. It is an opportunity for descendants toinvite the souls of their ancestors to join the family’s Tet celebration.
Onthese days, every home has a tray filled with five types of fruits placed onthe ancestral altar. The fruits may include a bunch of bananas, pomelo,persimmon, pear and tangerine in different colours to represent the desire for“phu” (prosperity), “quy” (notability), “tho” (longevity), “khang” (health) and“ninh” (peace).
Thealtar may also be decorated with a branch of peach blossoms in warm pink todrive away evil spirits and bad luck.
Theancestral altar occupies a prominent place in every Vietnamese home, no matter whetherthe family is rich or poor. It is a manifestation of the country’s culture thatshows its respect for both the past and the future./.
Tet (Lunar New Year) is fast approaching, and people in Boe Dau village in the northern province of Thai Nguyen’s Co Lung commune are busy preparing banh chung (square glutinous rice cakes).
The Vietnamese traditional New Year (Tet) festival actually begins on the 23rd of the last month of the lunar year, which falls on January 17 this year, with the “Ong Cong - Ong Tao” (Land Genie and Kitchen Gods) ritual.
Nguyen Trong Nha Uyen has made history for Vietnam’s dancesport by clinching a bronze medal in the solo Latin category at the WDSF World Championship 2025 in Germany.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.